Tuesday, March 16, 2010
Drive-By Truckers Live From Austin TX (DVD/CD)
New West Records
If you’re partial to analogies, let’s say the Drive-By Truckers’ 2009 compilation CD The Fine Print (A Collection Of Oddities And Rarities 2003-2008) was a super-8 home movie and the band members are your kids. And over the course of that record, you can watch them grow. That makes this dual DVD/CD live release a snapshot in 4/4 time, a musical Polaroid of a band touring behind an extremely strong record (Brighter Than Creations Dark) with a ton of great new songs. Shaking off the lineup changes that saw guitarist and songwriter Jason Isbell leave, keyboardist Spooner Oldham step in on The Dirt Underneath tour, the addition of Jay Gonzales on keys and a greater role for sideman John Neff, the band shows strength and resolve. The core remains the same, with Patterson Hood and Mike Cooley providing the vocals, guitars and stories, while Brad Morgan on drums and Shonna Tucker on bass have coalesced into a formidable rhythm section.
Appearing on Austin City Limits as a first timer, evidently the band wanted to showcase their songwriting talent as much as their reputation as a raucous rock band that slings sweat with the best of them, and as such we are treated to a fined honed set of music that is as solid as Morgan’s backbeat and as soaring as one of Neff’s pedal steel solos.
The same thirteen songs are on both DVD and CD, although the some of the stories and between-song banter are cut from the audio disc. The most compelling story is an updated tale of Hood’s momma Jan and her trucker husband, Chester, “Eighteen Wheels of Love,” first heard on the band’s 2002 live release, Alabama Ass Whuppin’. Patterson knows how to tell a story and this one is worth the price of the disc all by it’s own self. Luckily, the rest of the record is just as good. The Truckers like their alt-country and rock with a splash of soul and use this base to spin their tales of the down and out, dispossessed and dispirited with both passion and compassion. Mike Cooley’s countrified tunes “Perfect Timing,” “A Ghost To Most” and the acoustic, heartbreaking “Space City” sit well alongside his rockers “Marry Me,” the Stones-ish “3 Dimes Down” and “Zip City,” while Hood’s tales of life in the ragged Southern trenches “Puttin’ People On The Moon,” “Heathens” and “The Righteous Path” are balanced by celebratory “The Living Bubba” and “Let There Be Rock.” Shonna steps up to the mic with her lush “I’m Sorry Huston.”
The audio and video quality on both discs is stellar, befitting the performances. If you’re a fan of the Drive-By Truckers, this is what you’ll want to pull out when someone asks you about the band. If you’re not a fan, you will be after this one.
Playgrounds Magazine March 2010
There are lots of words you can use to describe Will Kimbrough: singer, songwriter, multi-instrumentalist, producer, award winner, and on and on. But if you asked Will, I’d bet that husband and father would beat those out hands down. On Wings, his fifth solo record, his relationship with his family and with himself form the core for many of the ten songs, none more so than the opening track, “Three Angels,” a love song to his wife and two daughters (“Everybody has an angel, I’ve got three.”).
DADDY bandmate Tommy Womack’s 2007 CD There…I Said It! was also a journal about what it means to be a grownup, although their visions differ. (Of course, that disparity between the two is what makes their band so special.) Where Tommy fought and scratched his way to adulthood, Will seems to embrace it warmly. Wings is an album of love and contentment, with an uplifting warmth that permeates each song.
But it wasn’t that long ago that Will was also railing at the world around him. On 2006’s Americanitis, Kimbrough was a rock, a smooth one for sure, but one that skipped across the water with force, kicking up spray as it hurled itself against a raging torrent. Now, on Wings, he is that same rock, only this time, it is sitting in the middle of the stream, enjoying the feel of the rushing water as it flows on by. Same rock. Different speed.
Kimbrough’s folksy Americana sound is spiced with pop and Memphis R&B, seasoned with his own banjo, mandolin, guitars and keys and gets plenty of help from Paul Griffith (DADDY) on drums, Tim Marks (Taylor Swift) on bass and Pat Buchanan on guitar. The title track, co-written with Jimmy Buffett, is one of my favorite songs so far in 2010. (The song also appears on Jimmy’s newest, Buffet Hotel, which features Kimbrough’s songs and guitars.) With Wings, Will Kimbrough has crafted a record for grownups that doesn’t make you feel old.
Playgrounds Magazine March 2010